The Line of Best Fit:
“With songs that stay both down to earth and close to home for those unlucky in love, Mahalia looks set to define British R&B in 2019″
“Throughout the video, Childish Gambino and his youthful entourage use dance as a distraction from the brutality unfolding around them.
This can be seen as a reflection of how we live and function in online spaces in 2018. The forums we use allow two opposing forces – of joy and horror – to coexist, as spectacles of black death and viral memes fill our feeds interchangeably. As Gambino rattles off the lyrics “hunnid bands, hunnid bands, hunnid bands, contraband, contraband, contraband”, he demonstrates a hip hop trope of drugs, money, and the pursuit of superficial success as a distraction topic from the real oppression and violence taking place on the ground.”
“Parks, as we recently explored, was a huge activist figure within the civil rights movement, and his transgressive work paved the way for black art and the politics within it.
Nestled in with original imagery of their own, Lindstroem and Lamar pay homage to the work of the self-taught photographer who devoted his lens to highlighting both society’s diversity and its divisions. The artistic link makes perfect sense, since Lamar’s own music examines a similar agenda: in his unapologetically black sound, his political subject matter, and his purposeful visuals, from the LA-inspired project with Kahlil Joseph to his performance atthe 2016 VMA’s commenting on mass incarceration.”
“In this shot, we see Jaybo tackle a racist trope head on. Armed with a huge watermelon slice, Jay-Z’s character digs into what has historically been considered a stereotypically ‘black’ food to eat.
Jaybo bites into the fruit, flinging seeds carelessly as he continues to rap. The reference here originates from a short called “Scrub Me Mama with a Boogie Beat” made in 1941 by Walter Lantz, portraying African-Americans in an extremely negative light. The video accompanied a song about a laundry woman from Harlem – who also makes an appearance in Jay-Z’s video, dressed as a maid, scrubbing clothes in a basin – that became a hit despite protesting by the NAACP on its release. Footage from the offensive video also surfaces in Spike Lee’s 2000 satirical film Bamboozled, exploring blackface and its cultural implications through the story of a black man trying to produce a minstrel show on his television network to escape his contract working with a racist boss.”
“On the same day that known graffiti writer Vamp was sentenced to 3 years for vandalism, Stuart Hall was given 15 months for the sexual assault of 13 young girls over 20 years, between the ages of 9 and 17. The contrast here is worrying evidence that in the event of two guilty verdicts, the courts seem to place more value on the inconvenience of spray paint on an old brick wall than they do on the lives of underage assault victims.
Disturbed by a justice system that at times is not so just, Molly Manning Walker found inspiration to write a short film, More Hate Than Fear, as a follow-up to a documentary of the same name, that she had made on the same subject.”
“Haring was a true original within the art world. An exhilarating combination of pop art and graffiti, the artist took inspiration from the underground cultures he immersed himself in but equally he gave back. He merged the worlds of politics and art to hone a distinct voice that spread like light in darker times – and, amazingly but unsurprisingly, his art continues to shine almost three decades since his tragic passing.”
“The Rainbow Riots group is taking in intolerant anger and unleashing positivity back – creating something life-affirming for the people who need it most. From the opening track to the close, the vibrancy of the LGBTQ spirit echoes in the beats and melodies, through pop, electro, afrobeats, dancehall and gospel creations. Even though the collective spans continents, the message is a unified one – a message of hope.”
Tørbjørn Rødland toys with the concepts of danger and pleasure in banal surroundings. Frightening and inspiring in equal measure, his photography forces you to question your own reality, whether you want to or not.
“Either way, to think of a haircut as a mere exchange of services would be a mistake, according to him.
The cultural weight of his shop alone in people’s lives is clear when he recounts colourful tales of how – on several occasions, while in the middle of domestics – clients’ girlfriends have resorted to staking out his shop waiting on their boyfriends’ inevitable return for a trim at some point. It’s a simple yet comic depiction of how these black British barbershops act as sanctuaries for black men, to laugh and argue and connect with eacother beyond the gaze of others.”
“The photographer’s work also documents the initial ripples of black leadership in this country, and explores how they paved the way for the incredible talents of today.
(He captures the broadcaster Darcus Howes and the politically trailblazing Lord Pitts, for example, who preceded the likes of David Lammy and Edward Enninful). By highlighting the past generations of movers and shakers, he provides a much-needed context to the existence of immigrant generations here, both present and future – an existence that he views as both promising and inherently political.”
Black Girl Magic
“A search for #BlackGirlMagic on social media unlocks vast worlds joined together by the shared resilience of black womanhood – from graduation photos to new babies. A call to action or simply a cause for celebration, the hashtag – now increasingly synonymous with terms of admiration, strength and joy – has grounded itself firmly within our vocabulary, sparking necessary conversations and uplifting millions.”